Crown Of Thorns (The Crown) - Eternal Death
Label: Black Sun Records, 1997
1. Angels Die 04:48
2. Beautiful Evil Soul 04:06
3. In Bitterness And Sorrow 03:29
4. The Black Heart 08:33
5. World Within 05:28
6. The Serpent Garden 04:45
7. Kill (The Priest) 01:40
8. Misery Speaks 04:41
9. Hunger 04:45
10. Death Of God 10:09
While this is neither a new release, nor a Black Metal one, it's probably one of the best things to ever come from Sweden. First of all, this is not Melodic Death Metal, even if it might be branded as. Sure, it's melodic, and, sure, it's Gothenburg, but this is so much darker and more evil, than anything you'd ever see called MDM. Hell, if MDM were like this, I'd be the first admitted fan of the style. Alas, it's not the case. What you hear here is pure damn blasphemy, hatred and aggression put to music!
The album opens with "Angels Die", which quickly shows you what to expect from "Eternal Death". Melodic intro leads out into a full-speed audial assault, which is what it is all about. Hatred flows through this music. In every note, in every growl of the vocalist you hear it pulsate, ready to explode. This is the first standout track from this album, of which there are ten. "Beautiful Evil Soul" basically continues the line, started on the opener. Still as fast, still as hateful, still as melodic, still like a sledgehammer landing into your sorry brains. Possess me, beautiful evil soul! Devotion, dedication, it echoes through your veins. The lyrics are very remarkable as well and you're likely to scream it along from the second time onwards (and hell, there will be a second time). Needless to say, it's definitely one of the highlights here (of which there are ten).
"Nothing left for me, but Eternal Death"! "In Bitterness and Sorrow" is one hell of a slaughterfest. You guessed it right, it's one of the best songs here, but I am not going to describe it, just try for yourself. "The Black Heart" is a slow one, almost a ballad. Dedicated to one and only Per Yngve "Dead" Ohlin from the legendary Mayhem and Morbid, it frequently quotes his statements and follows his artistic path, until the very gory happy end. While a somewhat letdown on the original listen, it very much grows on you, thanks to inventive arrangements and drum lines. "World Within" might make you think of the good era of At The Gates and rightfully so. Catchy melodies and skillful riffing, paired with Johan's desperate screams, produce an excellent result! "The Serpent Garden", which follows next, is very melodic, but also dark, pretty much in line with the previous song. But nothing would prepare you to the machine gun extravaganza, that is "Kill (the Priest)", 100 seconds of madness and blastbeats! The Panzer-era Marduk is the best comparison I have to this, but, trust me, Crown Of Thorns manages to pull the same tricks much more convincingly, making this a definite favourite of mine from "Eternal Death" (of which there are ten).
I am just going to skip "Misery Speaks" as there is really nothing wrong with it, a perfect song for a perfect album. "Hunger" is another very memorable one. Starting slowly, it explodes with a f**king hurricane, when the chorus starts. Apart from the obvious musical quality, it's also very inspiring and, unless you're just planning to kill yourself without accomplishing your goals, you're bound to love the message. Then again, if you're planning to kill yourself, you should probably just do so, instead of listening to this, you weak pathetic scum. Another amazing track!
And the finisher is "Death Of God", which spans into 10 raping minutes of deathbliss. Starting with a quote from "Warlock", it features a wide variety of tempos, which the band utilizes to accomplish what Nietzsche once started - the total and utmost destruction of the god's feeble kingdom. "Cursed be thy name, your kingdom of slaves, blessed be those who rise up against God"! Isn't that beautiful? Definitely makes it into my top songs from this one (of which there are f**king ten).
If I am to describe the instruments separately, I would say, that the musicianship shown here is very remarkable. The guitars are very well done, with both solos and rhythm parts merging perfectly. The bass is audible and roaring, which is a good thing, as it's often neglected. The drumming is diverse and skilled and it's one of the things, that would make you bang your head to almost every beat, once you're familiar enough with the songs. And, of course, the vocals! This voice spews forth blasphemy and hatred in such a desperate fashion, that most other vocalists would never dream of. What I mean is, sometimes when you listen to a band it just sounds like if the vocalist doesn't really believe in what he's singing about. Doesn't that annoy you? It sure does annoy me. Well, it's certainly not the case here, as Johan's screams are true as f**k.
Overall, it's about 52 minutes of Total Death Worship. Sure, it's no "religious" or "orthodox", like the new school bands claim to be, but the message is deep and honest and it's sure as hell much more wicked, than about 95% of the so-called Satanic underground, so this is NOT to be missed.
www.myspace.com/thecrownonlineswe
A standalone reviews blog. Dedicated to Black Metal, Death Metal, Thrash Metal and all the sinister manifestations within different forms of art.
Showing posts with label Sweden. Show all posts
Showing posts with label Sweden. Show all posts
Friday, April 22, 2011
Setherial - Treason [EP] (2011)
Setherial - Treason [EP]
Label: Goathorned, 2011
1. Treason [A Death That Breeds Through Aeons] 04:58
2. Warfare [God is Dead] 05:15
Okay, first of all I'd like to say, that I didn't expect anything from this one, as the album before it didn't impress me at all. Turns out I was wrong. Here we have one new song and a cover of Zyklon B and, while being very short, this EP is a great example of Swedish Black Metal.
Not much to say here, except, that it is a great work, as both songs manage to capture your attention and hold it until the end. The sound is very well produced (unlike "Death Triumphant") and the songs (or more like "the song") have thought out and followable structures (unlike "Ekpyrosis"). Sounds very natural overall and flows just fine, despite having a somewhat complex structure. The "Warfare" cover is done rather well, although the original is of course absolutely unbeatable. Made me think of DiabolicuM, one member of which, Sasrof, was once handling bass in Setherial.
Overall, it is a very solid work, so if you're into well-done (modern? I hate this word, related to) Black Metal, I'd recommend you to check it. Of course it's not a landmark release, but worthy nonetheless.
www.Setherial.com
www.myspace.com/setherialsweden
Label: Goathorned, 2011
1. Treason [A Death That Breeds Through Aeons] 04:58
2. Warfare [God is Dead] 05:15
Okay, first of all I'd like to say, that I didn't expect anything from this one, as the album before it didn't impress me at all. Turns out I was wrong. Here we have one new song and a cover of Zyklon B and, while being very short, this EP is a great example of Swedish Black Metal.
Not much to say here, except, that it is a great work, as both songs manage to capture your attention and hold it until the end. The sound is very well produced (unlike "Death Triumphant") and the songs (or more like "the song") have thought out and followable structures (unlike "Ekpyrosis"). Sounds very natural overall and flows just fine, despite having a somewhat complex structure. The "Warfare" cover is done rather well, although the original is of course absolutely unbeatable. Made me think of DiabolicuM, one member of which, Sasrof, was once handling bass in Setherial.
Overall, it is a very solid work, so if you're into well-done (modern? I hate this word, related to) Black Metal, I'd recommend you to check it. Of course it's not a landmark release, but worthy nonetheless.
www.Setherial.com
www.myspace.com/setherialsweden
Labels:
2011,
Black Metal,
DiabolicuM,
EP,
Goathorned,
Setherial,
Sweden,
Zyklon B
Friday, April 15, 2011
Funeral Mist - Maranatha (2009)
Funeral Mist - Maranatha
Label: Norma Evangelivm Diaboli (aka NoEvDia), 2009
1. Sword of Faith 04:34
2. White Stone 04:13
3. Jesus Saves! 08:12
4. A New Light 04:51
5. Blessed Curse 11:53
6. Living Temples 06:28
7. Anathema Maranatha 06:10
8. Anti-Flesh Nimbus 07:14
"Maranatha" saw its release in 2009 and received mixed reviews from both fans and press. Some people panned the CD, implying that the album by no means reaches the quality of the godly "Salvation", some people said, that "Salvation" is never ever to be topped to start with. While I do consider "Salvation" to be one of the best jewels to ever be produced in Sweden, "Maranatha" left a deep impact on me as well.
Starting with the glorious "Sword Of Faith" and finishing with the epic masterpiece "Anti-Flesh Nimbus", this album delivers nothing short of Magic. That magificient feeling of total religious madness, which the classics of the genre carry (Watain "Casus Luciferi", Antaeus "De Principii Evangelikum", Ondskapt "Dodens Evangelium", Ofermod "Mysterion Tes Anomias" et cetera), blossoms here to its full potential. I must say, I am a big fan of Arioch's vocal abilities. This man crossed the boudaries of your usual black metal vocalists and transcended into a category of visionaries, that are not bound by any genre or style. The unmistakable passion, that you hear in his voice; the fearsome growls and screams; you hear him LIVE through it, not sing the lyrics. The lyrics come alive at this man's lips. And those lyrics are not even your usual black metal lyrics to start with.
But, while the vocal and lyrical aspects are very important, it's not the only reason to love this album. The music is perhaps best described as a furious hurricane, that sometimes slows down, sometimes becomes a raging beast, sometimes appears to be over, only to once again manifest its malevolent being minutes later. And when it's over you are sure as hell to discover the whole damn town torn to pieces.
The change of drummer, feared by many, only reinforced the band, as the new drummer is just as good, if not better, than the original Necromorbus.
I heard a fair share of criticism concerning "White Stone", with people comparing the song to "nu metal" and Slipknot, but it couldn't be further from the truth. And the truth is, "White Stone" is perhaps the best song on this album, if there is indeed one. No blastbeat? No "cold northern" riffs? Well, if that's what you need from Black Metal, you're better off listening to immortal and the likes, as this is not for you in the first place.
"Anti-Flesh Nimbus" brings a perfect end to the album, with its slow and crushing pace, grandiose choruses, brilliant lyrics and malicious vocal performance. And, as a trademark of the Arioch's touch, the song ends with a borrowed classical orchestral piece, which works as a great outro for "Maranatha".
I could describe this album song by song, as each and every single one of them is a masterpiece on its own accord, but there really is no point to it. What you get with "Maranatha" is a pure hell in the audial form. The highest refinement!
www.myspace.com/thefuneralmist
Label: Norma Evangelivm Diaboli (aka NoEvDia), 2009
1. Sword of Faith 04:34
2. White Stone 04:13
3. Jesus Saves! 08:12
4. A New Light 04:51
5. Blessed Curse 11:53
6. Living Temples 06:28
7. Anathema Maranatha 06:10
8. Anti-Flesh Nimbus 07:14
"Maranatha" saw its release in 2009 and received mixed reviews from both fans and press. Some people panned the CD, implying that the album by no means reaches the quality of the godly "Salvation", some people said, that "Salvation" is never ever to be topped to start with. While I do consider "Salvation" to be one of the best jewels to ever be produced in Sweden, "Maranatha" left a deep impact on me as well.
Starting with the glorious "Sword Of Faith" and finishing with the epic masterpiece "Anti-Flesh Nimbus", this album delivers nothing short of Magic. That magificient feeling of total religious madness, which the classics of the genre carry (Watain "Casus Luciferi", Antaeus "De Principii Evangelikum", Ondskapt "Dodens Evangelium", Ofermod "Mysterion Tes Anomias" et cetera), blossoms here to its full potential. I must say, I am a big fan of Arioch's vocal abilities. This man crossed the boudaries of your usual black metal vocalists and transcended into a category of visionaries, that are not bound by any genre or style. The unmistakable passion, that you hear in his voice; the fearsome growls and screams; you hear him LIVE through it, not sing the lyrics. The lyrics come alive at this man's lips. And those lyrics are not even your usual black metal lyrics to start with.
But, while the vocal and lyrical aspects are very important, it's not the only reason to love this album. The music is perhaps best described as a furious hurricane, that sometimes slows down, sometimes becomes a raging beast, sometimes appears to be over, only to once again manifest its malevolent being minutes later. And when it's over you are sure as hell to discover the whole damn town torn to pieces.
The change of drummer, feared by many, only reinforced the band, as the new drummer is just as good, if not better, than the original Necromorbus.
I heard a fair share of criticism concerning "White Stone", with people comparing the song to "nu metal" and Slipknot, but it couldn't be further from the truth. And the truth is, "White Stone" is perhaps the best song on this album, if there is indeed one. No blastbeat? No "cold northern" riffs? Well, if that's what you need from Black Metal, you're better off listening to immortal and the likes, as this is not for you in the first place.
"Anti-Flesh Nimbus" brings a perfect end to the album, with its slow and crushing pace, grandiose choruses, brilliant lyrics and malicious vocal performance. And, as a trademark of the Arioch's touch, the song ends with a borrowed classical orchestral piece, which works as a great outro for "Maranatha".
I could describe this album song by song, as each and every single one of them is a masterpiece on its own accord, but there really is no point to it. What you get with "Maranatha" is a pure hell in the audial form. The highest refinement!
www.myspace.com/thefuneralmist
Labels:
2009,
Arioch,
Black Metal,
Endarker,
Funeral Mist,
Holy Poison,
Marduk,
Mortuus,
NED,
NoEvDia,
Norma Evangelium Diaboli,
Sweden,
Triumphator
Subscribe to:
Posts (Atom)